Showing posts with label Week 12. Show all posts
Showing posts with label Week 12. Show all posts

Thursday, November 10, 2016

Story: Long Way Down


Once Henry Nolan had been dead a whole year, he started appearing in my house.

Like, I’d be wandering aimlessly around the kitchen, microwaving popcorn or something, and there he’d be—lurking in the space between the back door and the cabinet, tall and pale and thin. Or I’d be camped out on the living room floor, math homework spread out in front of me like I was actually going to do it, and I’d look up, and Henry Nolan would be sitting on the couch across from me, hands folded patiently in his lap.

I guess I should’ve been surprised, but I wasn’t. Weird things had been happening in Caldwell for as long as I could remember. And you don’t move into a dead boy’s house without at least wondering what would happen if the dead boy had never quite moved out.

But if I turned away from him and started rummaging through the fridge, or turned the TV volume up really loud and stared intently at the pages of my trig book for once, he would just sit there, like he was waiting for me to notice him.

And eventually, just as suddenly as he’d shown up, he would disappear again.

***

After about a month, I’d gotten used to our little routine. Sure, it still didn’t do my heart rate any favors to look up and see someone skulking around the dining room or framed outside my window—but it wasn’t too much of an adjustment.

And then one night, under threat of death from my mother, I was slumped over the desk in my room, pretending I had this Pythagorean Theorem thing in the bag and that I wasn’t totally doomed for tomorrow’s quiz.

And a low, scratchy voice said, “You do realize these are all wrong.”

I whirled around despite myself. Henry Nolan was leaned over my shoulder, hands clasped neatly behind his back, blue button-up and khaki slacks just as neat as they’d been when the high school had bussed all of us out to his funeral. His messy brown hair had been carefully parted then, but now it was sticking up a little.

“Like, all of them,” he added, frowning down at my trig worksheet.

“Since when do you talk?”

He straightened, but kept staring abstractedly down at my homework. “Since I built up enough strength to, I guess.”

“Why are you even here?”

Instead of answering, he looked around the room. I hadn’t done much to change it when we’d moved in, just added some posters and a few medals I’d won with the girls’ swim team. But even that seemed kind of tasteless now, watching a dead boy gaze around at what used to be his.

“Where’s my dad?” he finally asked, voice raspier than ever.

I stared at him. His dark eyes were fever-bright and surrounded by bruised-looking circles, and his skin had a sickly bluish tint to it, but he seemed calm. Careful. Nothing like I would’ve been if I’d kicked the big bucket a few weeks into the summer before my senior year.

Maybe it was that collectedness that made me feel like he wasn’t going to freak out and go all vengeful spirit on me, but I shrugged. “He moved out. A little bit after...you know.” Henry’s mom had died maybe a decade ago, so now that Henry was gone, his dad was the only Nolan left. “He lives on the other side of town now.”

I’m not sure what kind of response I’d expected. But he only stood there, looking skinny and lost and too boyish to have been cut down in his prime like that.

After a minute, he knelt down beside my desk, looking over my worksheet again. “My God, you suck at math.”

He spent the next hour alternating between ragging on my math skills and helping me work through all the problems again, and then he flickered out and disappeared.

***

Eventually, when it looked like Henry had decided he was haunting my house for the long haul and my math grades had picked up enough to make me grateful, I decided to learn a little more about him.

I’d just finished ninth grade when he’d died, so I’d been kind of self-absorbed. But I remembered he’d been the hero of the baseball team, had worked after school at his dad’s auto shop. He’d wanted to win a baseball scholarship and get out of Caldwell.

And now he was stuck here. All the stuff I found online said spirits stuck around if they had revenge or unfinished business to deal with. But all Henry seemed to want to do was haunt the fridge and fix my math grades.

I learned he’d apparently started having seizures a few months before he died. A few people said his dad must’ve gotten drunk again and finally pushed him down too hard.

But most people figured he’d had one of those seizures and bashed his head on the way down.

***

“Trevor Marshall got a tattoo for you,” I told Henry one night, while he looked over a practice test for me. “It’s pretty cool.”

He was quiet for a minute. “We were always going to get matching tattoos once we turned eighteen.”

“What kind?”

He unbuttoned his sleeve, bared his forearm. Little pink scars dotted the pallid skin. “Right here. We were—”

But I was still looking at the cigarette burns.

“Henry?” I said after a minute. “How’d you die?”

He paused. Rolled the sleeve back down, careful as ever. “That seems rude to ask.”

I stared. “If your dad really—if you’re here for revenge or tell people how you really died—”

“If I wanted revenge, don’t you think I would get it?” He looked away. “Being left to himself is already the worst punishment Dad could ask for. I don’t want anything else.”

I didn’t argue.

The fact that he was even here at all seemed to do that for me.



Author's Note: This week, my story was based on the tale of Andrew CoffeyIn this story, a dead man from Andrew Coffey's town reappears to Andrew a number of times, after supposedly drowning years before. In the end, Andrew wakes up beside his horse, and realizes the entire thing was a dream. I took the main idea for my own story, but turned the dead man and Andrew into a couple of modern-day high schoolers instead.

Bibliography: Celtic Fairy Tales by Joseph Jacobs. Source: Mythology and Folklore UN-Textbook.

Image Credit: "Math" by Akash Kataruka. Source: Flickr.


Wednesday, November 9, 2016

Reading Notes: Celtic Fairy Tales, Part B



King O'Toole and His Goose

In this story, the king meets Saint Kavin, who's disguised as a common boy and claims he makes his living "By makin' old things as good as new." I could definitely see that spun into an urban fantasy story, about a morally flexible guy who makes his money with a signature of old magic and street magic. I figure he'd end up taking on a job and not really giving it much in the way of a second thought—till it turns out he just rejuvenated something very old and very bad, and set the stage for all sorts of trouble.


The Shee An Gannon and the Gruagach Gaire

Try to say that one five times fast. Or even just once, kind of slowly. I wasn't sure about this story when I first started it, but it ended up being possibly my favorite I've read all year. I love the bones of the story: the idea of a cowboy in a fantasy world, mixing genres like that, and his team-up and dynamic with the Gruagach, the way he set off on a revenge plot for and with the Gruagach so readily. It would probably make for a longer work than this assignment allows, but I still think I could do something with the genre-mixing, especially the cowboy.



I think this is the third time I've read this story, and every time, it's even more frustrating than the last.    
But this time, it triggered a different thought. If the prince loved and treasured and trusted Gellert so much, how come all it took was the sight of a little blood on the dog's fangs to send the prince off on the idea that the dog had surely murdered the prince's infant son? I like the idea of the protagonist being allies with someone with this rough, disreputable history, working together and getting along well enough but still not quite trusting him. And I like the idea that when something goes wrong and circumstances make it look like he could be the one to blame, could've relapsed, the MC automatically suspects him despite herself. Could be a fun and messy dynamic to look at.



During most of this story, Ivan was just trying to get home, and all sorts of things kept getting in the way—robberies, murder, all sorts of stuff. If I were to use this tale as the basis for my retelling, I'd probably use that loose interpretation for the main concept, sticking with the idea of someone just trying to get home after a long and rough time away, but deterred by all sorts of stumbling blocks.



When introducing Andrew Coffey, the narrator notes that the guy was "always stumbling up against some tree or stumbling down into some bog-hole that by rights didn't ought to be there." I like the idea of a protagonist who's attuned or connected to some kind of supernatural flux, and is constantly having to deal with weird occurrences that seem to crop up in his or her presence.

That said, I also love what happened next: Andrew Coffey hears a voice talking to him, and turns to see who it is. And we get this gem: "But when my grandfather clapped eyes on him, he knew him for Patrick Rooney, and all the world knew he'd gone overboard fishing one night long years before." The idea of someone who died in the protagonist's hometown suddenly appearing to the main character really appeals to me: it's practically calling out for a small-town setting where the otherworldly brushes elbows with the painfully mundane every day. The fact that it's not just the spirit of Patrick Rooney, but somehow his glaring, pallid reanimated body, is even better.



I've always loved changeling stories, and the idea of twin changelings is even better. The first question is what would happen if only one kid got swapped, so one twin is human and the other is subtly but decidedly not. But that might not work out as well in a story this length, so instead, it might be fun to dig into the horror roots that're practically begging to be dug out of this story. The Wise Man said it best when he told the stressed out mom to listen to see if her twins said anything after she set up a trap: If you hear them speaking of things beyond the understanding of children, go back and take them up and throw them into the waters of Lake Ebyr." I like the idea of an older sister (or even a couple of older siblings) slowly realizing the younger siblings aren't who they're supposed to be anymore, and struggling to figure out how to grapple with that. Like I said, the key here is that slow-dawn horror atmosphere.




Bibliography: Celtic Fairy Tales by Joseph Jacobs. Source: Mythology and Folklore UN-Textbook.

Image Credit: Pair of Flintlock Pistols by Gerrit Penterman the Elder, via Walters Art Museum. Source: Wikimedia Commons.


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Tuesday, November 8, 2016

Reading Notes: Celtic Fairy Tales, Part A



Connla and the Fairy Maiden

In this story, a fairy maiden appears to Prince Connla and convinces him to leave his kingdom for hers. I like the idea of someone close to the protagonist wasting away, waiting for the promise of something better, almost like he or she's under some kind of spell or minor soul-possession. I imagine the protagonist would then have to get her game face on to save her friend or family member, and also that things won't go as planned. I also kind of have to wonder how much of her friend would be left to save after all that, and how much of him/her would've been hollowed out already.


The Field of Boliauns

Even though Tom and the Leprechaun are technically at odds in this story, the politeness and civility they show while openly working against each other really cracked me up. I like the idea of a couple of enemies with a dynamic like that: not quite as close as frenemies, but more like really civil acquaintances who are also trying to destroy each other.



In this one, one of the witches calls to the cake they made for help, and the cake replies, "I cannot, for I am broken and bruised, and my blood is on the lips of the sleeping children." It's that last part of the reply that really gets me, and that's what I would want to build my assignment around. Swap out the cake for a pseudo-person spelled together by the witches, and that's a story I'd want to read.


The Shepherd of Myddvai

It was an image from the beginning of the story that I think could make for the seeds of an interesting plot itself: "Suddenly, from the dark waters of the lake, he saw three maidens rise. Shaking the bright drops from their hair and gliding to the shore, they wandered about amongst his flock." I like the idea of the maidens actually being monsters instead, and wandering amongst the people of a small, secluded town instead of livestock. 



In this story, a rich man offers a tailor an extra big payday for a suit if the tailor sews it in a supposedly haunted graveyard. The tailor takes him up on that dare, because money—but then things quickly get dicey, because the graveyard is even more haunted than all the rumors said. I like the idea of someone taking on all sorts of supernatural risks in a graveyard for their livelihood, so I'd probably go with a story about a girl who makes her money that way, pretty shadily.



Stories about enchanted sleep always interest me. Looking back through my story note archives, I've thought about doing a variation on one of these several times, but haven't gotten around to it—so I thought this time, I might. But as I read on, it was actually the second wife's character that interested me the most. She's level-headed, matter-of-fact, and the way she handled her sister-wife's evil mom was nothing short of inspired. Not sure what kind of story I'd put her in, but she was a lot of fun to read about, and I do think something could be done with a character inspired by her.




Bibliography: Celtic Fairy Tales by Joseph Jacobs. Source: Mythology and Folklore UN-Textbook.

Image Credit: "Temple Hill Graveyard (Cork, Ireland)" by Guliolopez. Source: Wikimedia Commons.